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WORKS

NON SEQUENTIAL RHYTHMS - 2006
COMPOSITIONS FOR ELECTROPHONES - 2007
OCTAHEDRAL BRAIN - 2008
THE TWO FANTASIES - 2008
ELECTROPHONIC WORKS - 2009
G - 2009
PSIONICS - 2010
MPSG NO 1 IN STEREO - 2010
STACK OVERFLOW - 2010
ELECTROPHONIC NOISE - 2010
SPACETIME - 2010
MULTIPATH - 2010
POWERSHIFT MIMESIS - 2011
THE MUSIC OF ERICH ZANN - 2011
SAGA OF ANUNNAKI - TRANSFORMATION IRREVERSIBLE - 2012
AFTERLIGHT - REVISIONS AND REMIXES - 2012
LE DOUTE CARTESIEN - 2012
23.9344699 - 2012
PALINDROMIC FREQUENCIES AND PROCESS VARIATIONS - 2013
DEPOSITION OF THE THEMATIC STRUCTURES OF LA MUSIQUE D ERICH ZANN - 2015
DIVERTIMENTO FOR CS15 - 2016



 
 
LE DOUTE CARTESIEN - 2012 | Compositions
- Intermediate Between God And Nothingness - 1.13
- GéOméTries AtmosphéRiques - 16.50
- A Nibble From A Byte - 11.51
- La Composition Ionique - 13.43
- Mirror Stage - 7.55
- Finitude Locale - 5.52
- Explicite #1 - 5.07
- Inversion And Note Range Shift - 39.24
- Invention No 4 (Bach) - 8.12



"Illusion d'optique" translated to music, Moiré pattern methods used on musical material, hyperbolic functions and graph theory used as composition devices. In computer music, graphs can be used to represent networks of material, sonic organization, signal processing devices, the flow of sonic material, etc. The structure of a piece of music could be represented by a directed graph. The vertices can be the musical components available at the piece and a directed edge from section A to section B exists if and only if A moves to B. A similar approach can be taken to design rhythms, beats, sound design, and controlling musical parameters. The development of musical algorithms to handle graphs is the main art in computer music. "Mirror Stage" and "Inversion And Note Range Shift" are based on the idea of musical moiré pattern.The rhythmic structures are superimposed at one point of the piece, the shift between the lines increase with passing of time. After a given number of events, the patterns are opposed: the lines of the second pattern are between the lines of the first pattern. ::::::::“AND SO SOMETHING WHICH I THOUGHT I WAS SEEING WITH MY EYES IS IN FACT GRASPED SOLELY BY THE FACULTY OF JUDGEMENT WHICH IS IN MY MIND.” - René Descartes (1596-1650)::::::::

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