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WORKS

NON SEQUENTIAL RHYTHMS - 2006
COMPOSITIONS FOR ELECTROPHONES - 2007
OCTAHEDRAL BRAIN - 2008
THE TWO FANTASIES - 2008
ELECTROPHONIC WORKS - 2009
G - 2009
PSIONICS - 2010
MPSG NO 1 IN STEREO - 2010
STACK OVERFLOW - 2010
ELECTROPHONIC NOISE - 2010
SPACETIME - 2010
MULTIPATH - 2010
POWERSHIFT MIMESIS - 2011
THE MUSIC OF ERICH ZANN - 2011
SAGA OF ANUNNAKI - TRANSFORMATION IRREVERSIBLE - 2012
AFTERLIGHT - REVISIONS AND REMIXES - 2012
LE DOUTE CARTESIEN - 2012
23.9344699 - 2012
PALINDROMIC FREQUENCIES AND PROCESS VARIATIONS - 2013
DEPOSITION OF THE THEMATIC STRUCTURES OF LA MUSIQUE D ERICH ZANN - 2015
DIVERTIMENTO FOR CS15 - 2016



 
 
MPSG NO 1 IN STEREO - 2010 | Compositions
- M P S G No 1 Section 1 - 1:10:48
- M P S G No 1 Section 2 - 1:11:09
- Simple Lines - 8:00
- Through Form And Color - 12:36
- E V P No 1 - 7:17



In Multi-Point Sound Generation system, architecture of waves is based on the conceptual relationship of events, or the relationship between ideas, and is structured in the logical way of being parallel on the wings of time, lack of the limitation of beginning and the end lets an individual experience every single sound on its own. Each sound element could be the start to make balance to change "time" to "music". Understanding the structural differences and relations is based on the intervals rather than separate elements. The relationships can manifest themselves as simultaneous occurrences that are meaningfully related. The whole structure cannot be experienced by one in just one moment. While Multi-Point sound scenes is mixed to stereo format and can be listened on a regular music player but through this process the true experience of MPSG will be lost, and even 5.1 and 7.1 surround systems cannot reproduce MPSG exactly as it must be.


 

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