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WORKS

NON SEQUENTIAL RHYTHMS - 2006
COMPOSITIONS FOR ELECTROPHONES - 2007
OCTAHEDRAL BRAIN - 2008
THE TWO FANTASIES - 2008
ELECTROPHONIC WORKS - 2009
G - 2009
PSIONICS - 2010
MPSG NO 1 IN STEREO - 2010
STACK OVERFLOW - 2010
ELECTROPHONIC NOISE - 2010
SPACETIME - 2010
MULTIPATH - 2010
POWERSHIFT MIMESIS - 2011
THE MUSIC OF ERICH ZANN - 2011
SAGA OF ANUNNAKI - TRANSFORMATION IRREVERSIBLE - 2012
AFTERLIGHT - REVISIONS AND REMIXES - 2012
LE DOUTE CARTESIEN - 2012
23.9344699 - 2012
PALINDROMIC FREQUENCIES AND PROCESS VARIATIONS - 2013
DEPOSITION OF THE THEMATIC STRUCTURES OF LA MUSIQUE D ERICH ZANN - 2015
DIVERTIMENTO FOR CS15 - 2016



 
 
MULTIPATH - 2010 | Compositions
- Study For Multipath Interference No 1 - 17.08
- Study For Multipath Interference No 2 - 27.20
- Duet No 1 For F M And Subtractive Synthesis - 27.14



Two different approaches of Multipath are presented here. First, in the two related pieces, coherent waves travel along two different constantly changing paths. The output of this system then goes through a set of sound processing procedures. The first study uses a cyclic sound design as the basis and a reverberated rhythm in the back. The second study uses an apoapsis of frequencies as a foundation for the whole work, and the morphing clusters are mixed with a super-massive space-design. Duet No 1 For FM and Subtractive Synthesis is a simple musical idea developed to be a metaphor of curvature of space. Nonlinear synthesis and subtractive synthesis are totally different, but they sound terrific together. Tempo is modulating dramatically through the whole work in order to show the space curvature idea.


 

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